Im kinda in the exact situation as PR in Nallaru Po, but have listened to it so many times that I’ve developed a tolerance to it.

So I need other Tamil songs with similar situations.

Thanks in advance

To those editors who only edit that one particular new indie artist's songs

These kind of films belong in the 90s era . These days we are getting lighthearted romance films like bku and premalu . And honestly it is high time films stop glorifying the pure love concept. Dhanush did this film cause this film director made two good films with dhanush before this . But personally I found this film very regressive..

During their childhood scenes, Subbu is almost (I’m using the word “almost” here because there are a few exceptions) always on the right and Karthi on the left. As kids, Karthi is the more vulnerable, unsure and less confident/courageous one, while Subbu is assertive, confident and completely protective of him.

But once they grow up, their positions are almost always reversed. Subbu is now on the left and Karthi on the right. And the more you understand their characters, the more beautiful this reversal becomes. Subbu is now struggling with her identity, unsure of herself and still trying to understand who she is, while Karthi has grown into someone assertive, confident and almost cold-hearted towards everyone, while also being protective of Subbu.

But what I found especially beautiful is that in the two adulthood scenes where Karthi has his moments of realisation, redemption and acceptance, their positions switch back to the childhood arrangement, with Karthi on the left and Subbu on the right.

The first is when Karthi decides to save Subbu, and the second is when he goes back to Subbu after finally realising and accepting his own feelings. And in both these moments, Subbu is completely sure of herself and has come to terms with her identity.

It's as if the framing returns to where it began, but the characters have come full circle in completely different ways. As children, Subbu was the one Karthi depended on for courage. As adults, Karthi becomes the one who has to find the courage to accept Subbu, and himself.

I’m not sure of this was intentional and carefully placed, but if it was, it’s sheer brilliance yet again on another level.

PS: Like I said, there are some exceptions to this theory - 2 are very notable. First, the childhood theatre scene where Subbu is the one on the left and Karthi, who’s shy of the kiss scene, is on the right. Another exception is the “Vaaren di” scene where Subbu is once again on the left and Karthi on the right.

ETA: Dear kind stranger, thank you for the award 💜

and the height difference whew 🫪

(Rishikanth and Anishma - Modha Rathri)

Finally a banger score from Sushin Shyam in Scene, it's genuinely good compared to other of his scores from Scene, the teaser score also good...

Even in 1989 times they talked about 2nd marriage of windowed women . Not only this movie even on other movies they talking about feminism atheism

Damn Kollywood is soo GOATed 💥🔥🔥

Maybe we don't have 1000cr movie

But nobody can beat it in content 💥🔥

Hiphop Tamizha is known for his powerful raps and equally powerful lyrics, banger fast paced songs, foot tapping numbers and much more. As everyone knows about that side of him there is another side that we appreciate very little.

There is a distinct flavour to his melody songs and romantic numbers that is very unique. I usually vibe with all of his songs but whenever one of his melody songs comes on I am equally hooked.

I wanted to list some of these songs from his filmography. Be it Va Va Vennila from Aambala which is not exactly a melody in the conventional sense but has a completely different approach towards melody. The whole album of Indru Netru Naalai is still in everyone’s playlist but I feel it deserves even more appreciation.

Then came Thani Oruvan with Kannala Kannala. Azhage from Kathakali is another one (the whole album and OST of Kathakali are criminally underrated).

Then we have Pareshanura from Dhruva, Oxygen from Kavan, Thaaney Vechindhana from Krishnarjuna Yudham, Vilambara Idaiveli, Neeyum Naanum Anbe and Kadhal Oru Aagayam from Imaikkaa Nodigal, Nee Nenacha from Mr Local, Hi Sonna Pothum from Comali and Azhage from Action.
Arakkiyae from Anbarivu was a very different song from him especially with Yuvan’s vocals.

When you look at his entire discography there are so many songs like these. And finally there is Unakaaga from Kadaisi Ulaga Por which I think is probably the most underrated song in his entire discography.

Everyone talks about Hiphop Tamizha’s rap songs and mass numbers but I feel his melodies deserve a lot more appreciation too.

I loved the switches from ARR (Sun pictures) to Ani (Theme) to Deva (Super star) back to Ani (Theme). It almost felt like trance in the theatre.

Would like to experience it again in theatre just for the sounding. Any movie lately where the music experience in theatre was a banger?

A user asked, “What’s a perfect movie ending you didn’t see coming?” on X/Twitter and Amazon Prime Video replied with the climax conversation between Rajinikanth and Aamir Khan from Coolie!

The person who says: "Really you rock bro", is that Santhanam?
Sounded like him to me. Video starts playing towards the end, listen to 2:13 onwards

I'm at home. So I ended up watching a few episodes of the Celebrity Master chef in SonyLiv. The program is like an avg cooking show, which can be used for passing time. But the highlight has been Samantha, who seems so grounded and without any air around her. And she looks good as well. It's a good show for Samantha to remain in the spotlight , while she takes a maternity break.

Baththa s album hits the hearts, so does his offmovie melodies - this guy got heart :)

Who's directing it? Music director?

H.vinoth film was dropped years ago.

Heard he's doing a film with the Anbariv brothers, but no news on it since 2023.

A look test with SA Arun Kumar was posted here 2 months back, no news on it since.

RK × KH also seems to be called off since Red giants don't have that kinda budget.

Anything solid on what's his next and no Indian 3 isn't a valid answer.

Apparently a telugu user named venki reviews posted reviews before Los Angeles screening was over and gave a mixed review for it.

Yash team has verified that no other screening is happening for Ramayana rn other than Los Angeles one, hence early reviews can be fake and misleading...another user who gave an extremely positive review is also now being called fake.

These are reviews by genuine critics and users who verified their authenticity...more keeps coming...hopefully mo ds allow this post.