It turns out that Chekov was in the restroom all along.
That’s the excuse given by fans--and jokingly perpetuated by Walter Koenig himself--for why we never saw Chekov in “Space Seed” yet Khan Noonien Singh recognized him 15 years later in Star Trek II: The Wrath of Khan (TWOK). It’s odd to think that the character’s legacy--and by extension the actor’s--is reduced to a joke about a continuity error, but that’s in keeping with how the character was often written.
Ensign Chekov was a junior officer introduced in the second season (1967-68) of Star Trek: The Original Series (TOS). He was added at the height of the Beatles and Monkees craze so he could appeal to teen viewers. The actor was even forced to wear a Beatle wig during his earliest appearances, a look that did not appear to be in keeping with Starfleet regulations.
However, there was more to the character. He was Russian, a nationality chosen to acknowledge Soviet contributions to the advancement of space exploration. Adding a Russian to the bridge crew of Starfleet’s flagship also furthered Gene Roddenberry’s vision of a peaceful future in which mankind had transcended national and political enmity. The writers had fun with both Chekov’s youth and nationality. Chekov claimed that Russians had invented every great stride in human history--even Scotch (”The Trouble With Tribbles”). Chekov was given romances (”The Apple,” “The Way to Eden”), and, among the three junior bridge officers--Sulu, Uhura, and Chekov--he was the only one given a first and middle name: Pavel Andreievich.
Yet for all his prominence in the original series, Chekov was cut for budgetary reasons from Star Trek: The Animated Series (TAS), a short-lived 1973-74 revival. Koenig did write an episode of TAS, “The Infinite Vulcan,” but I suspect he never wanted to be left behind again--hence the continuity error in TWOK.
Koenig said in interviews that he was asked to read the TWOK script and check for errors. He recognized a major one right way. The script called for Chekov, now serving as first officer aboard the USS Reliant, and his captain to encounter the nefarious Khan, an augmented superman left behind by Captain Kirk on a wild and remote planet 15 years earlier in the TOS episode “Space Seed.” Khan famously recognizes Chekov, calls him by name, and says, “I never forget a face.” Koenig knew immediately that Chekov wasn’t in that episode because the character hadn’t been invented yet nor had he been cast in the role.
Yet he kept quiet, he later explained, because the prominent role given to Chekov would have gone to someone else. (It’s interesting to speculate who that someone might have been. Sulu wasn’t in “Space Seed” either, so the logical choices would have been Scotty or Uhura.)
The discrepancy led to fans speculating about how Khan could recognize Chekov. Some suggested that he must have been aboard the Enterprise and we just didn’t see him. As a newly commissioned ensign, he would have been assigned to duties elsewhere than on the bridge. Or perhaps he flew one of the shuttles that transported Khan and his augmented humans to the surface of Ceti Alpha V. All of this seems plausible, but the one that has stuck in fandom’s mind is the silly explanation that Khan needed to use the restroom but couldn’t because a certain junior officer was taking too long. Well, we never did see doors for restrooms in TOS, but there must have been one somewhere on the ship.
But if Chekov was often dismissed as a joke by fans--not only because of the restroom quip but also because of his thick accent (”nuclear wessels”)--there was more to Walter Koenig as an actor. Obituaries have extolled some of his other acting credits, such as the play The Boys of Autumn, in which Koenig and fellow Star Trek veteran Mark Lenard played an older Tom Sawyer and Huck Finn, respectively. And there were his 12 episodes as amoral Psi Cop Alfred Bester on Babylon 5, a role that allowed Koenig to play a much more nuanced character than Chekov had ever been.
Yet Chekov was an important member of the Enterprise crew. As a young, impulsive, and eager-to-please officer, he was a stand-in for fans who imagined themselves as part of the same crew. He was awkward and silly, as young adults often are, yet competent at his job. One does not get to be a bridge officer by being foolish. Not only did he serve as navigator, but he often occupied the science station when Spock was elsewhere.
He was well-liked by his shipmates, and he became friends with Sulu. Some of the show’s best scenes involve Chekov and Sulu at their stations, talking freely while their bosses are elsewhere. In “The Deadly Years,” Chekov complains to Sulu about being poked and prodded in Sickbay. And “Turnabout Intruder,” though widely considered one of the worst TOS episodes, features one of my favorite scenes between the two. Aware that something is terribly wrong with their captain, they tacitly conspire to mutiny. When Kirk, who has swapped minds with a deranged former lover, gives an order, they drop their arms to their sides and refuse to comply. They risk court martial--a choice that stands in stark contrast with how easily the Strange New Worlds crew went along with an order to commit genocide in a recent episode.
Koenig created a character who was much beloved by fans and a more significant part of Star Trek lore than many realize. Although he never canonically reached the rank of admiral, as he often dreamed, he showed us that it was possible for a young person to serve with such a prestigious crew. He was a more realistic version of such a character than Wesley Crusher would be two decades later because Chekov wasn’t portrayed as a teen sidekick or an exceptionally gifted teenager. He was just an officer who happened to be young. And although the character was often written with broad humor, Koenig played him with nuance and seriousness, and that made all the difference.
Thank you, Walter Koenig, and rest in peace.
Check out this post on Substack: https://greggildersleeve.substack.com/p/the-invisible-ensign-reflections