r/criticalrole • • 5d ago

Discussion [Spoilers C4E40] Is It Thursday Yet? | Post-Episode Discussion & Future Theories! Spoiler

75 Upvotes

Is It Thursday Yet?

What are your reactions and theories for next session?


The Twitch rebroadcast begins at 9 AM Pacific (9 hours from the time of this post).

The free YouTube VOD will be uploaded Monday at 12 PM Pacific, with free podcast releases 1 week (part 1) and 12 days (part 2) later.


[Subreddit Rules] [Reddiquette] [Spoiler Policy] [Wiki] [FAQ]


r/criticalrole • • 9h ago

Discussion [Spoilers C4E40] Bad rolls have cursed the poor Schemers Spoiler

69 Upvotes

Lots of people have noticed and commented on the absolutely terrible dice luck the players have had in the current arc. It's been hitting the Schemers table especially hard because of how immediate the danger is around them.

But I'm starting to notice and worry that they're stuck in a perpetual feedback loop of big choices that backfire in their faces. Ever since E33, the Schemers have made brash, rushed and risky moves. Now I don't begrudge them that at all - it's both interesting and fun to see the players bet big with bold yet ill-advised choices.
(And it's understandable where this risk/paranoia comes from: after a fairly careful and successful first Schemers arc & Convergence went better than they expected, Brennan ended E31 by putting the fear of god into Luis & Marisha by stressing how desperate the Sundered Houses are. Sam was working Wic through a guilt spiral, and Tyranny was put on the spot for having to clean up the whole "Kattigan got captured" mess.)

But even when a risk could plausibly pay off (like talking to Effie, bringing Murray into the Einfasen fold, Azune goading Godard into a reaction about Wic's survival), the dice rolls have just screwed them over at every turn. Particularly hilarious was the triple nat 1 for Azune at Godard's mercy followed by a nat 20 for Godard. Also when Brennan tried to get Whitney out of the hole she was inadvertently digging for herself because she misunderstood the Pit assignment, only for her to get a double nat 1. But it's plaguing more normal rolls too. Persuasion & deception, saving throws, perception & insight, making it all so they walked into Wicander's assassination without warning, new friends, or even family support, while a few new time bombs like Ingrid's Axe have started ticking in the backround as well. I worry that if this luck keeps up and the hammers continue to come down this hard, it will just force the players to make riskier and dumber decisions every episode because they ran out of safer options after the previous unsuccessful risks. (Luis's Wicander disguise felt like an example. It almost killed him instantly, but was only done out of desperation to expose the Halovar assassination after Zebani got away.)

And I worry that this will hurt the quality of play, because the table looks to be fast-tracking to a TPK that Brennan wasn't intending nor expecting, at which point he might start really bailing them out beyond the limits of believability or enjoyability. Because this really feels like a party that the campaign can't afford to just lose - nor does it feel like Brennan's style to be happy to axe 5 of the 11 active characters all at once.

(P.S. On that note:
People accuse Brennan of railroading - he's not IMO - but they've identified a subtler problem which we saw with Tyranny in E40 (much as I blame neither Whitney nor Brennan): there were at one point multiple paths that were available to take, but through this "shit luck->risk->shit luck" feedback loop, both the DM and the players have found all alternative roads gradually getting blocked throughout the arc until only one path forward remains: follow the instructions or die in hell.)


r/criticalrole • • 14h ago

Fluff [No Spoilers] MCM London and live show

Post image
85 Upvotes

Absolutely blown away by how amazing you critters are! Had an amazing weekend of trinket trading, admiration over cosplays, and wonderful chats with you all. This has been my favourite con and it’s mainly to do with all the critters!
Here’s a picture of my little haul! (I severely underestimate how many bracelets to make for trading so I ran out!)


r/criticalrole • • 20h ago

Fluff [CR Media] To a blue-haired critter at London Liveshow... Spoiler

222 Upvotes

... Just wanted to say thank you for the bracelets you were giving out (if you happen to see this). I love my Beau-themed one. I was on my lonesome so thanks for making me feel involved.

Critters are a great community 💜

Sorry if this isn't really discussing the show or anything/not relevant on this sub

(Also whoever the people were arranging the faerie fire lights are incredible)


r/criticalrole • • 1d ago

Fan Art [No Spoilers] A weekend of Critter cosplay

Thumbnail gallery
3.7k Upvotes

Being 6ft3 has its benefits when cosplaying certain characters (Yasha and femme-swapped Grog)


r/criticalrole • • 44m ago

Question [Spoilers C3] London Live show music references Spoiler

• Upvotes

I noticed part way through the London show that Sam's inspiration for Scanlan's Inspiration songs seemed to be taken exclusively from British artists. It seems to me very much like one of those subtle little hidden easter egg/ jest/homages that Sam would do :) )

I forget the others but The Police - Every Breath You Take is the one where I realised UK music might be a theme.

Did anyone else notice this, or can confirm it?

Does anyone recall what the other songs were?


r/criticalrole • • 19h ago

Question [CR Media] DMing Questions for Brennan?!?!?!? Spoiler

70 Upvotes

Hello! My name is Jesse David Fox. I was the writer of the New York Magazine/Vulture.com. I also host the podcast Good One (youtube.com/Vulture). On November 8th, I will be hosting a live interview with Brennan Lee Mulligan in New York (https://nycomedyfestival.com/lineup/good-one-podcast-live/)

I focus on the creative process in my interviews. And while comedy is my expertise, I am new to the world of tabletop. I am curious if any of you have any inside baseball, DMing theory questions you might want me to bring to Brennan.

Thank you for your time!

Of course, if any of you want to attend, I'd love to have you. I can actually offer you a special discount code: GOOD ONE


r/criticalrole • • 15h ago

Fan Art [No Spoilers] My MCM London Experience: A Difficult Weekend, Made Brighter by Critical Role ❤️

Post image
16 Upvotes

Hi everyone. I’ve seen a few people sharing their experiences, so I decided to share mine too—not just meeting Critical Role, but my experience of MCM Comic Con as a whole.

Unfortunately, the trip was a very negative experience for me overall. But I want to make one thing absolutely clear: meeting the Critical Role cast was wonderful. They were the one bright spot in an otherwise really difficult few days.

It started with my accommodation. I’d checked the place several times before booking, and everything seemed fine. Then, on Wednesday afternoon, I discovered that something wasn’t right.

It’s a long story, but essentially, they had already charged my card and then messaged me through Booking.com saying they would only give me the four-digit access code if I contacted them on WhatsApp and sent them my ID or passport. The booking platform itself had a warning telling me not to share that information.

When I followed the WhatsApp instructions, I was directed to a website belonging to some company in Dubai. Seeing all my details there made me break out in a cold sweat. They had my name, my home address, where I was planning to stay, my booking dates—everything. They were also asking for another £200.

I didn’t respond. The following day, a man messaged me asking me to send my ID so he could give me the access code. When I explained my concerns, he gave me excuses that didn’t reassure me at all. I told him I wasn’t comfortable sending my passport, and he became angry and told me to take it up with Booking.com.

I ended up losing around £125, which was a huge financial blow for me. I was at home crying because I didn’t know whether I could still make the trip. Thankfully, my husband helped me and booked a room at the Novotel beside ExCeL. I’m grateful, but I still have to pay that money back, and I honestly don’t know yet how I’m going to manage it.

Being so close to the venue was a relief, especially with cold, rainy weather expected.

I travelled to London on Thursday. I was already very anxious and stressed. Before the trip, I’d tried reaching out to people to see whether anyone nearby was going and might want to travel together, but nothing worked out, so I went alone.

Once I reached London, I decided to spend the extra money on a taxi because I was feeling so anxious. Thankfully, I had a lovely driver. We chatted during the journey, and he offered me a generous discount if I paid in cash, so getting to the Novotel cost less than I’d expected.

I wasn’t feeling right that day and had hardly any appetite. I think I’d only eaten a sandwich. Still, I kept telling myself that Friday was coming and I was finally going to see Critical Role. It was also lovely seeing other Critical Role fans at the hotel, and I hoped I might make some friends.

Unfortunately, I had a panic attack during my first night at the hotel and struggled to get back to sleep. Then I woke up on Friday with a really sore throat. I couldn’t understand how I’d become ill at the worst possible time. Luckily, I’d brought some medication, so I took a painkiller to make my throat bearable enough to speak.

I was nervous about heading to the convention alone, but I met a lovely Critter cosplaying Ashley’s character from Campaign 3. We chatted and spent some time together, which was really nice. Unfortunately, I didn’t get her contact details.

Once inside, I went straight to the Critical Role panel, then headed to the group photo session afterwards. That was where the organisational problems started for me.

Staff kept sending me away from the photo area. Eventually, I had to say, “I’m sorry, but the session starts in five minutes. I’m not going to leave just to come straight back.”

Once I joined the queue, it was incredibly confusing. I kept being moved around without any explanation. At one point, I was moved further back while other people with the same type of ticket were allowed through before me. They weren’t VIPs. I genuinely couldn’t understand what was happening, and it was upsetting.

Eventually, I got in for the group photo. Standing there with the Critical Role cast was an incredible experience. My hands were shaking, and I felt so shy—you can probably see it in the picture.

I’m not comfortable sharing that photo at the moment because I’m really unhappy with how I look in it. I don’t know how much of that was down to being ill and exhausted, but I found it disappointing.

There was also a mix-up with the timing of my photo with Taliesin, and staff ended up putting me near the front of his queue. I know some people might think I should have been pleased, but I felt awful. There were around thirty other people waiting to see him, and because of a scheduling mix-up, I was suddenly being put ahead of them.

I felt really guilty, so if you were one of the people I was moved in front of, I’m sorry. It wasn’t something I’d planned or wanted.

Meeting Taliesin was wonderful, though. I told him I’d see him the next day and bring his gift.

By the time I finished the photo sessions, it was around 2:30 pm. I’d written out a plan: get Sam’s autograph, then Robbie’s, then Neil Newbon’s, and afterwards spend some time exploring the convention.

Instead, the rest of my Friday disappeared into Sam’s queue.

I stood there from around 2:30 until close to closing time. I don’t know exactly why the queue wasn’t moving, but what frustrated me most was the lack of information.

Staff kept asking whose queue we were in, telling us to move around and trying to rearrange people, but nobody explained what was happening. Even a simple update saying that Sam was at a photo session and would return afterwards would have helped. We were just left waiting without knowing anything.

Being there alone made it even harder. I couldn’t easily leave to use the toilet or get food. I’d only eaten half a bread roll that day, and I spent the afternoon hungry, needing the toilet and afraid to leave the queue.

When I finally reached Sam, I could see how tired he was. We exchanged a few sentences, and I told him I was half Hungarian. He told me he was Hungarian too, which was a really lovely moment.

I would have liked to talk a little longer, but he looked exhausted, and there were still people waiting behind me. So I gave him his gift, got my autograph, thanked him and moved on after a couple of minutes.

By then, closing time was approaching, and I still had a prepaid ticket for Robbie. I asked a female security guard whether she could help. She checked my ticket and took me to the front of his queue.

Again, I felt terribly guilty about being moved ahead of people who had been waiting. This happened more than once during the convention because of organisational problems, and it made me uncomfortable every time.

Robbie was lovely. He still seemed full of energy—he was dancing around and even touched my little demon horns! We chatted a little longer, and I told him that Dorian had inspired my very first D&D character. Then I gave him his gift and rushed over to Neil Newbon.

There were only about two people ahead of me for Neil, so thankfully that was quick. Then the closing announcements started, and I realised I hadn’t managed to do even half of what I’d planned.

I’d also booked a photo with Neil for 4 pm on Friday, but I missed it because I was still waiting in Sam’s autograph queue.

Before leaving, I looked back towards the Critical Role signing area and saw poor Matt still signing for around twenty or thirty people. I felt sorry for the cast as well. It looked exhausting.

I’m not blaming Sam for the wait. What upset me was that nobody told us what was happening. After paying in advance, I think we deserved basic communication. My entire Friday afternoon had gone on standing in one queue, unable to eat, use the toilet or enjoy the rest of the convention.

Afterwards, I returned to the hotel, changed and went out to buy food. Then I became really unwell that night.

I don’t know how much was illness, exhaustion or anxiety, but I was vomiting, coughing and having another panic attack. I tried asking reception for help, but unfortunately, I found them rude and unhelpful.

Eventually, I asked an AI assistant for help. I’d run out of paracetamol, and it suggested that late-night medicine delivery was available in London. At that point, I didn’t care how much it cost—I just needed something to help.

The delivery arrived at around 2 am. I took the medication, but I was still tossing and turning, coughing and feeling feverish for most of the night. I finally fell asleep at about 5 am, then had to get up again at 7.

I packed my suitcase, got ready and went to Tesco for a pack of bread rolls because I hadn’t had breakfast. Then I left my suitcase with the hotel and headed back to MCM for Saturday.

By this point, I was really struggling. My throat hurt badly, I felt dizzy, and I was exhausted.

When I was getting close to the front of Liam’s queue, I told a staff member that I felt very unwell. She said I looked really pale. I asked whether I could go straight to Taliesin afterwards because I needed to go home—I didn’t feel able to stay much longer. She kindly said yes.

Meeting Liam meant an enormous amount to me. I’m a comic artist, and he’s one of my biggest inspirations. I love his voice work and his characters, and they inspire me so much.

We spoke for perhaps five or ten minutes. I won’t go into all the details because some of it was personal, but I told him about my mental health struggles and started crying.

He asked whether he could hug me. I said yes, and he did.

That meant more to me than I can explain. I was trying very hard not to get tears all over him, but his kindness meant so much.

I also gave him the little drawings I’d made for him. I’d kept the gifts small enough to fit in the palm of a hand so they would be easy to pack and take home.

After saying goodbye to Liam, I joined Taliesin’s queue and was able to see him quickly.

I was even more emotional by then and struggled to hold back my tears. I’d wanted to bring another gift too, but I’d worried it might be too big to fit in his suitcase, so I hadn’t brought it.

I did give him the little Mollymauk drawing I’d made. I wasn’t very happy with how it turned out, so I’m hoping to make him something better around his birthday.

We talked for a little while, and I told him about some of the mental health difficulties I’ve been dealing with. I ended up crying quite a lot.

I love the whole cast, but Liam and Taliesin hold a particularly special place in my heart. They’re both equally important to me.

Taliesin asked whether he could hold my hand. I said yes, and we talked for another minute or two. We also took a photo together.

Those moments with Liam and Taliesin were the most meaningful parts of the trip for me. Their kindness is something I’ll remember.

I’d finished both autographs by around midday. Afterwards, I quickly visited three artist friends to collect things I’d arranged to buy beforehand. Sadly, when I got home, I discovered that other artists I love had also been there, but I hadn’t found them or even realised they were attending. I was really sad to have missed them.

I left MCM at around 1 pm, collected my suitcase from the hotel and took a taxi to Waterloo. I was there by about 2 pm and got home at around 5.

I was so ill and exhausted that I more or less fell straight into bed. I fell asleep at around 5:30 pm and didn’t wake up until about 9 the following morning.

I also spent a lot of time crying afterwards because I’d really wanted to go to the live show. I wished I could have spent more time seeing the cast, but I simply wasn’t well enough, physically or mentally. Missing it was really upsetting.

So that was my MCM experience.

I’m going to start saving again in the hope that, if they return in two or three years, I’ll be able to see them again. Hopefully, next time I won’t have to go through the whole experience alone.

Before anyone asks: I’m still struggling mentally, but I’m working on it. Physically, I’m feeling a little better, and I’m resting.

I hope everyone else had a lovely time at MCM, made some friends and enjoyed the live show too. Sadly, I didn’t come away with the friendships I’d hoped for, but I’m grateful for the kind moments I did have—especially with Liam and Taliesin. ❤️


r/criticalrole • • 19h ago

Discussion [Spoilers C4E40] Tsul'rekshi's relationship to the Pit Spoiler

34 Upvotes

I am a bit confused by Tsul'rekshi being barred from the Pit or not. And when you look at the transcripts - as other fans pointed out to me (thanks!) - it's easy to see how PCs could be confused as well.

In Episode 36 (Spectacle) Tsul'rekshi says:

We should go to The Pit. I need time to figure out how to get there. We could go there right now, but I don't know if there's a safe way back. I need a little bit of time if you want a guaranteed way back.

In Episode 37 (Death to Tyrants) Tsul'rekshi says:

When you do, I shall bleed to death and be no more. There is no way for me to return to The Pit. My way is barred there, but I'm not going to send you there without protection.

She then goes into the instructions about taking her tongue out and putting it in the bag. She also says Wic must lose everything. But when Tyranny asks if Wic has to lose his life or if they are speaking metaphorically Tsul'rekshi says:

We might be speaking exclusively metaphorically.

But at the end of episode 40 the Shadow of Suffering, Ksha'aravi, does in fact apparently need to eat Wic's soul, at which point Tsul'rekshi is back in the Pit. So Wic apparently had to lose everything in a very literal sense...

Apparently this plan revolved around the fact that Wic's debt was to give a tour to Tsul'rekshi of his house has now transferred to Ksha'aravi.

In Episode 33 (Off Balance) what Tsul'rekshi asks for is a tour of the Villa Aurora:

And a blood pact is sealed. A magical blood pact. She says, "If my three guests show up, you'll walk me through the Villa Aurora. It's done!" And the blood disappears into smoke.

So was Tsul'rekshi lying when she said "I shall bleed to death and be no more."?

Also "We might be speaking exclusively metaphorically" is also confusing the issue.

Apparently some of this was just lies to confuse Ksha'aravi if he attempted to detect thoughts (which he did) on Wic and Tyranny, but it seemed to confused the players as well.

But none of this explains to me why Tsul'rekshi is allowed back in the Pit after specifically saying she is barred. I assume it's because, as others have suggested, that Ksha'aravi cannot leave the Pit and so is unable to give a guided tour of the Villa Aurora....but why does that allow Tsul'rekshi to go to the Pit? To collect the debt?

My best guess is Tsul'rekshi was barred from the Pit by some prior oath-of-exile to the Demon Queen (wife of Azgra) and only the collecting of a debt supercedes that oath. But why does Tsul'rekshi's tongue need to be in the Pit then - to allow Tsul'rekshi to physically manifest there?


r/criticalrole • • 1d ago

Fan Art [No Spoilers] Taliesin artwork and a heartbreaking MCM London experience. (Read body text)

Post image
1.9k Upvotes

I spent 52 pounds to meet Taliesin Jaffe and spent a while making some art for him to sign, which you can see above. He's been an idol of mine for a while so I was really excited to meet him. I'm not in a position where I get to go to conventions a lot so getting to go to one where someone who means so much to me was a BIG deal.

I took a bus to comic con and bought a lot of art and met a decent amount of critters which was fun, then came the queue but the queue was SO horribly mismanaged, the STEWARDS asked where it started. I showed up 10 minutes prior to Taliesin even coming out for the signing, yet didn't even make the queue and had to go into a different line that was a weird mix of people wanting to meet Robbie, Liam and Taliesin. That one was just a separate one that people were supposed to leave and filter into the main one as the queue moved. It didn't. People were just moving in seemingly random intervals and the stewards were clearly so lost on it.

Anyways, I didn't get to meet him despite pre-paying months ago and had to just leave the queue, which CRUSHED me because it was going to take upwards of 3 hours and the signing started at 2:30 when my bus home was gonna be leaving at 5. So it was either:

Option A: Stay in queue for the entire convention with a very slim chance of getting to meet him because the line just WASN'T moving.

Or option B: Just leave the queue and despite being heartbroken, try to enjoy the rest of my convention. I chose the latter and turns out it was absolutely the move because on my way out of the convention I saw the people in front of me STILL queuing and they were not close. They probably queued for hours just to not meet him.

Luckily I got a refund there, which by the way, ALSO had to be queued for, which took about 20 minutes.

Anyways, I know it's an INSANE long shot but if there was any way anyone could at least get Taliesin to know this art exists it would mean the world to me.

Hopefully some other critters had a better experience ❤️


r/criticalrole • • 22h ago

Discussion [Spoilers C4E30] Unused Risk Mechanic Spoiler

21 Upvotes

Hello, Critters!

I've been catching up on C4 for a couple of weeks now, and I've been enjoying Brennan as a DM throughout this campaign (I've never had the chance to watch Dimension 20).

I love how he's a no-bullshit, let-me-tell-you-straight-up-what-the-odds-are kind of DM.

However, E30 left me with a somewhat unpleasant reaction to how he handled the Tachonis Manor.

The whole reason the party was so hellbent on splitting up was to avoid rolling D8s/D6s/... as a group after Brennan laid it all out in terms of the risk mechanics for the mission.

Only for the group... to never roll those risk dice and instead throw a deeply overpowered fight Teor's way. Brennan is a master at making players understand how failing their risky rolls can have dire consequences. Yet one failed investigation, and you stumble upon a fight that perhaps would only have happened after rolling the D6/D4 associated with the risk mechanic he JUST introduced... but never used.

As I was reflecting on that after the episode, it really jumped out at me as the one (and let's be fair, only) time I feel Brennan really missed the mark on that "I share all the odds with you guys" approach. It heavily influenced the players' decisions, and the consequences, I feel, were disproportionate given the risk mechanics he described but, again, never used.

Overall, though, E30 was such a packed episode with the sundered houses meeting, and god did I cry during its most epic moments - the play culmination, Vaelis's choice, Teor's last moments. CR is truly an unrivaled medium.

Edit: mechanism - my bad:p. Pardon my french


r/criticalrole • • 1d ago

Fluff [Spoilers C4E6] Tyranny/Wic Inspiration in a 90's Space Opera? Spoiler

Post image
133 Upvotes

Saw this cover stitched into the video for an episode of Brandon Sanderson's podcast for a gag, and I immediately took notice because the heroine is wearing Tyranny's teal dress and mackin' on a dude with angel wings. (Pretty sure this one's taller than 5'11" though.)

The book is a 1993 Space Opera called Harm's Way [goodreads]. Doesn't appear to have been massively popular, nor even Colin Greenland's most popular work. Still, what a crazy coincidence if Whitney has actually never seen this and still came up with the design she did for Tyranny.

Couldn't find mention in this subreddit, and a couple quick Google searches don't turn up any instances of Whitney talking about this as inspiration, but I also don't watch a bunch of cast interviews and it's possible she's already said this in some venue Google hasn't indexed.

If somebody plans on meeting Whitney at a con, it would be cool to bring a copy of this book and get her impression.

(Of no particular relevance, but interestingly to me nonetheless: Colin Greenland's wife is Susanna Clarke, author of one of my favorite fantasy books of all time, and whose way of describing magic reminds me of Brennan's narration in a way I can't articulate.)


r/criticalrole • • 1d ago

Fluff [CR Media] CBR Preview of The Mighty Nien: Children of Empire book Spoiler

Thumbnail cbr.com
19 Upvotes

Caleb Widogast and Astrid Becke meet with Ludinus Da’leth.


r/criticalrole • • 1d ago

Fan Art [Spoilers C4E40] dresses, fancy lad and faildad - character art (oc) Spoiler

Thumbnail gallery
169 Upvotes

Technically spoilers for E38 to E40 but I wasnt sure of the title formatting...

  • Thimble (E38/E39) navy blue timmonish gown
  • Rework of Elodie
  • Post Convergence, Shadia & Hero
  • Josefir Einfasen
  • Ksha'aravi (E40) humanoid form - dont ask why, i will sexualise the demon cloud thing. let him aura farm before he embarasses himself again.

r/criticalrole • • 20h ago

Question [No Spoilers] Where to watch C2E2?

2 Upvotes

I just finished episode 1 but episode 2 is blocked as 'unavailable' on YT. Does anyone know why that is?


r/criticalrole • • 1d ago

Discussion [Spoilers C4E40] How Do You Think Level 6 Will Work? Spoiler

82 Upvotes

I feel like we are close to a level up, but maybe that's because we've been bouncing between tables and either side has only done a little so far.

But with the Schemers in particular, I feel like they are close to leveling up. The events at the theater were HUGE and if/when Tyranny & Wick return from the Pit I could see them leveling up. The seekers feel like they won't level up until they get the statues which might just be the culmination of their arc anyway.

But I wanted to know what everyone thinks on the matter of how they tables will level up in the future. Because level 4 was a personal situation where the entire table chose their level up but were prompted to level up in-game at a story important moment. I feel like this worked ok for the Soldiers and Seekers, but the Schemers didn't quite follow suit and mostly just leveled up immediately. Then Brennan had players level up to 5 at moments that he chose to be important or interesting, but then they'd have to handle the level up on the spot and this led to some situations like Teor trying to figure out what he even had in the middle of a battle.

Which version did you prefer? Do you think he's going to do either of these options for level 6? Or maybe do something else entirely?


r/criticalrole • • 1d ago

Discussion [Spoilers C4E40] Chronology and the Soldiers Table Spoiler

43 Upvotes

Not making any strict predictions, but I do feel like after this Thursday's Schemers episode will be the perfect time for the switch to the Soldiers Table, both narratively and chronologically.

Its been a little tricky figuring out the chronology of events with respect to both tables, given the Seekers' unlocking of fast travel through the Miller's Road, but I think it can be agreed that its been about 2 days; with the long rest in Sloak indicating the end of the second day since Convergence.

For the Schemers, that 2nd day has yet to end (In Araman at least, who knows how time works in the Pit), and we will likely see the conclusion of that night next episode alongside whatever happens in the Pit.

The narrative has made it so that the Seekers have some downtime to prepare for the Tachonis heist, about 4 days. A period that likely will not warrant entire episodes be dedicated to it. I wonder if Brennan will have something similar for the Schemers in the next episode, because it would be the perfect excuse to shift over to Thaisha in Dol Runja.

It makes chronological sense that Thaisha would take about 2 days to reach Dol Runja from Dol Makjar on horseback, thus justifying Aabria's absence narratively as well. The end of the mini arcs for both the Seekers and Schemers would be bookended well then with Thaisha arriving at Dol Runja at the start of the 3rd day and starting her leg of the narrative; which could then run all the way through said downtime that the other tables would be enjoying. Aabria's appearance on Tale gate also does help this idea.

Again, not a prediction, but it does feel right.


r/criticalrole • • 2d ago

Fluff [No Spoilers] O2 Merchandise Shops open now

Thumbnail gallery
191 Upvotes

If you’re in the area and don’t fancy queuing later on, highly recommend popping down to merch shops near the entrance and all the way around the other side of the O2 to pickup bits


r/criticalrole • • 1d ago

Episode [Spoilers C4E40] Masks in the Round | Critical Role | Campaign 4, Episode 40 Spoiler

Thumbnail youtu.be
36 Upvotes

r/criticalrole • • 22h ago

Question [CR Media] I’m going to the Fort Worth show in a few weeks, but I’ve fallen woefully out of the loop. Suggestions on what I should watch before then? ⁠ Spoiler

0 Upvotes

Bought the tickets 18 months ago, or thereabouts. I’m still very excited to go, but my critrole watching has plummeted this last year because of life.

Any suggestions on where I should focus my efforts to be up to speed for the show? I know it’s not the current campaign, and I know Travis is running it, but I haven’t been to a live show. I’m not sure how much back knowledge I’m going to want to refresh myself on.

Thanks!


r/criticalrole • • 2d ago

Discussion [No Spoilers] Brennan Lee Mulligan's Dark Place

94 Upvotes

I thought the intersection of Matt Mercer and Hololive was an unlikely pairing, but now Brennan and Garth Marenghi is another intersection of niche fandoms.

https://www.youtube.com/watch?v=X8cX7sjN53w


r/criticalrole • • 2d ago

Fan Art [Spoilers C4E40] Timestamps C4E40 Spoiler

64 Upvotes

HEY, there might be some SPOILERS under the thing

4:55 Recap ends, the second act starts

7:50 Schemer costumes (Sam doesn’t know Pokemon lore)

9:35 Critical Role Announcement Playhouse

10:05 Fan ad

11:55 What a chad

16:10 Intro cinematic

17:30 EPISODE STARTS (Murray tries to not get arrested)

25:55 Azune is Wick surrounded by Azune

30:00 The visible reminder of the invisible light

32:35 Hal works the crowd (Hal yes)

34:10 Hal chooses his audience (Liam stands the hazard of the die)

41:00 The Magpies act

44:50 NEIN

49:35 Agztash is wheeling over to beat ass (Dean Kora is confused)

51:30 Harondus commits a police brutality

56:15 Face me coward

57:40 Azune deputizes the audience

1:03:50 All this was apparently happening in silence

1:05:50 Silenced confession (combat over)

1:07:10 Azune is committing to being Wick

1:11:10 Azune is instantly found out

1:12:25 A risky counterspell

1:14:20 Into the Pit

1:17:00 Wick is not built for this place (give him mouth-to-mouth)

1:18:45 Prepare for trouble

1:21:05 Wick fights to stand by Tyranny (Jessie and James are together?)

1:27:20 Wick sets himself on fire

1:33:50 Tyranny and Wick are blasting off again

1:37:05 A tower made of gargoyles

1:42:25 Ksha’aravi is done with Tyranny’s whole deal

1:43:35 Nick Falcon

1:45:10 Whitney has forgotten the (admittedly vague) plan

1:48:50 Do you recognize this tongue? (Nick, we’ll get to you)

1:53:05 Nick is going through some stuff (actually let’s tell the truth)

1:55:45 Surface thoughts

1:58:35 Good news, bad news

1:59:05 BREAK STARTS

2:09:00 BREAK ENDS (initiative)

2:12:15 Hal riles up the people and Godard doesn’t like it

2:16:10 Azune almost dies

2:20:55 Harondus saves Azune

2:22:40 Arguing about jurisdiction

2:29:10 Truths not revealed

2:32:05 Qua-quay (showing the mask)

2:38:00 Wick is in a better place now

2:40:00 Godard cannot handle these streets

2:43:35 What’s Murray’s deal

2:47:30 Hal and Jekara Vodik

2:51:30 Not berating

2:53:15 Tanya gets a 10

2:55:35 Harondus believes his own hype

2:58:00 The theater is cursed/blessed

2:59:35 Agztash had a great time

3:04:10 Murray grabs drinks

3:05:25 Just say ‘No’ to assassination

3:06:45 Effie and Murray

3:17:45 Murray offers Effie a choice

3:23:00 Back to the Pit

3:25:35 Wick belongs in the Pit

3:28:10 Tyranny breaks Wick’s heart

3:41:00 Double ones to do reverse psychology

3:43:05 Hey man, get out

3:44:55 The wording is extremely important

3:45:55 Wick does not like the plan

3:47:25 Ksha’aravi is playing with his action figures (parenting is hard)

3:50:10 Any good partnership has secrets

3:52:05 You trying to catch a B?

3:53:25 Wick gets ate

3:54:55 Tsul’rekshi’s plan finally works

3:56:20 Episode Ends

Sam’s Goblet says “MEOWTH! That’s Right!!!” with a picture of Teor

I took last episode off for my birthday. Maybe I'll circle back around to it at some point.

Any moments I missed? Feel free to post them here. Is it Thursday yet?


r/criticalrole • • 2d ago

Fan Art [No spoilers] Patia cosplay by phaseknight

Post image
889 Upvotes

Credit as always to the awesome phaseknight, it's not everyday you see EXU cosplay

https://www.instagram.com/phaseknight/?hl=en


r/criticalrole • • 21h ago

Discussion [CR Media] Is the live show worth it? Spoiler

0 Upvotes

Not sure if this is the correct spoiler but seemed the most appropriate.

Went to the London show yesterday and while it was a great show I feel that for the cost there wasn't much there to fully justify that price tag and wanted to know what others thoughts were.

For me if they are doing arenas they should treat it like an arena act e.g. involve lasers, pyro, smoke etc

Have a big visual background to make it a truly immersion experience.

This isn't a dig at them but more as DnD is getting to this truly incredible level should there be a greater show to represent that.


r/criticalrole • • 22h ago

Fluff [Spoilers C2] Which Mighty Nein Member would mentor which RWBY/JNPR member? Spoiler

0 Upvotes

As it says on the tin, something I think about every now and then because both series are mild obsessions of mine.

Spoilers for Mighty Nein Below, if you have only seen the show proceed with caution

My Picks:

  • Ruby - Veth (I think Veth would attach to Ruby INSTANTLY. Her motherly nature and adopting of people being big reasons.)
  • Weiss - Caleb (German-Magic coded bias aside, I think Caleb being a teacher and being together with Essek would give him ALOT of tools to handle even season 1 and earlier Weiss.)
  • Blake - Caduceus (If anyone can mold Blake's rougher edges, Caddy can. On the other hand, he might be a bit TOO MUCH like Ghira and that could push her away. Jester is another choice. Bonus is that Jessie could also drag Adam from evil to neutral, like how the MN did Essek)
  • Yang - ??? (Not sure here, my first thought would be Yasha, but she fits better later.)
  • Jaune - Fjord (Two fakes trying to be something they feel they are not. Fjord has already moved past this part of his character, which means he would understand Jaune the best I think.)
  • Nora & Ren - Beau & Yasha (Told you Yasha had a better spot. Not only does she stay with her Wife, both Nora and Ren can learn from Beau and Yasha regarding fighting. Plus Yasha can related and be someone Ren can open to about Kuroyuri.
  • Pyrrha - Essek? (Kinda a pull, but the expectations of others and isolation it brings would be something Essek is VERY familiar with, and I think he would help Pyrrha lessen the amount of weight that brings to her.

I would love to hear everyone's thoughts and why. Both about my choices and what they think would work.