Recorded at Mohri Studio, Tokyo, April 5, 1971.

00:00 Ishi 11:51 Bonsho 18:08 Hollows 26:02 Voice From The Past 37:22 Requiem 43:31 Ae. Ay.

https://www.discogs.com/release/33209...

Bass, Composed By – Gary Peacock Drums – Hiroshi Murakami Percussion – Masahiko Togashi Piano, Electric Piano – Masabumi Kikuchi Producer – Kiyoshi Ito Recorded By – Kenichi Handa

Manufactured By – Sony Music Entertainment (Japan) Inc. Phonographic Copyright ℗ – Sony Music Entertainment Inc. Copyright © – Sony Music Entertainment Inc.

CBS・ソニーレコード株式会社 CBS/SONY Records Inc. (Tokyo Japan) ® Columbia Broadcasting System, Inc., SONY ® Sony Corp. PS・SKⒿ

Gary Peacock - Voices (1971) (full album)

A little "retro" Simmons Tuned Percussion. Cheers

First of all, I've already heard most of the "standard repertoire" of 70s stuff by now (most, but not all).

What I'm actually looking for is more like 90s and 2000s stuff.

PLZ LISTEN TO THE EXAMPLES:
Even if you know these artists, still make sure you are referring to the example tunes I'm listing, (cause not everything these artists did necessarily sounds like the sound I'm going for here).

Tom Kennedy - On The Edge (2024)
https://www.youtube.com/watch?v=blViLRnn080&list=RDblViLRnn080&start_radio=1

John Patitucci - On The Corner (1989)
https://www.youtube.com/watch?v=MH-WrYsY7S4&list=RDMH-WrYsY7S4&start_radio=1

Frank Gambale - Frankly Speaking (1993)
https://www.youtube.com/watch?v=SxiNBKIHTek&list=RDSxiNBKIHTek&start_radio=1

Lately I really like this slick 90's type fusion sound!

But this Tom Kennedy is brand new and it rips, there's gotta be so much more great stuff like this out there right now as well, and I want to find it!!

Please post other good tunes and albums like this!!

Mike Stern's Jigsaw (1989) is a killer studio album, but it’s basically a massive live performance void.

Perhaps this could be why ?

The only known live footage of anything from that record is a blistering bootleg of "Loose Ends" at the Bottom Line in 1990 with Bob Berg, Dennis Chambers, and Lincoln Goines.

Jim Beard’s synth work heavily anchored the studio tracks, but Stern decided to hit the road as a chordless, powerhouse quartet (Guitar, Sax, Bass, Drums).

Without a keyboard player to hold down the dense synth textures, heavily orchestrated tracks like the title track or "Chief" likely couldn't translate to the stage and were totally abandoned.

Theory as to why "Loose Ends" made the cut:

It’s a driving, blues inflected tune that didn't need the harmonic padding, and it thrived purely on raw guitar/horn interplay.

Coming straight out of heavy synth lineups with Miles and Michael Brecker's EWI driven band, It could be speculated that Stern may have intentionally stripped the keyboards live to lean into a more raw, aggressive guitar centric rock energy

This album taught me the essence of time-keeping and feel. Such fluid skinsmanship!

This is a live session from a Moscow trio called illo.trio. Im the engineer who made it and made the interview! This is my recording studio called DTH studios!

They play this cinematic post-jazz style that sits somewhere between modern jazz, contemporary classical and a bit of post-rock.

Keys, double bass and drums. Pretty interesting sound. Curious what people here think of it! Thanks for listening.

John Lee and Gerry Brown biography Bassist John LEE and drummer Gerry BROWN were a duo in the 1970s, recording frequently and playing with some of the biggest names in jazz. John gigged in New York before going to Europe and met Gerry to work with the fusion band THE CHRIS HINZE COMBINATION. It was in 1973 that the two recorded their first album Infinite Jones. Their return to America found the duo working together and making more albums on the Blue Note label. The music is Jazz Fusion with soul and funk elements.

Adapted from Jazz Music Archives

Studio Album, released in 1974

Songs / Tracks Listing A1. Infinite Jones 00:00 A2. Deliverance 06:49 B1. Jua 20:37 B2. Absitively Posolutely 27:42 B3. Rise On 30:43 B4. Who Can See the Shadow of the Moon 34:00 B5. Bamboo Madness 39:17

Total Time 41:30

Line-up / Musicians Gerry Brown / drums & percussion John Lee / bass, Fender bass, percussion Gary Bartz / alto & soprano saxophones, slidewhistle, percussion Chris Hinze / flute, alto & bass flutes, piccolo, bamboo flute Henny Vonk / vocals, percussion Howard King / percussion Rob van de Broek / piano, electric piano Hubert Eaves / piano, electric piano, percussion Jasper Van 't Hof / piano Wim Stolwijk / piano, voice

Hello folks!

I released my debut prog/fusion EP about a month ago, and I'm excited to finally share it here.

Contours is a 4-track instrumental EP inspired by artists like Sungazer, Owane, Portraits, and Jack Gardiner.

I had the pleasure of collaborating with Nicolò Vese (Asymmetric Universe) on bass, Jared Yee (Sungazer) on saxophone, and Owane on mixing and mastering.

If you're into instrumental prog/fusion, I'd love for you to give it a listen and share your thoughts. I'm genuinely curious to hear what you think, and what I could improve on future releases!

Contours is available on all streaming platforms. Here's a quick link to the major ones: tuppo.music

Cheers,

Tuppo 🤘

I just released a new two-track EP called EVIL TRANSIT.

I’ve been exploring electric trumpet through electronics, effects and machines, with a lot of inspiration coming from 70s and 80s electric jazz — especially Miles Davis and Herbie Hancock — but trying to push it into my own territory.

The two tracks approach that from different directions: “Crooked Sun” is more psychedelic, earthy and funk-driven, while “Redline” is faster, harder and more tense.
Would love to hear what you think.

Bandcamp
https://atheropendoor.bandcamp.com/album/evil-transit

ORIGINAL JAZZ COMPOSITIONS from a band in Denton, TX.

Since most of us miss Shawn Lane and the Collaboration with Jonas Hellborg, could there be a new trio that be on par with the old one?

An unreleased broken beat groove I found on my hard drive. Thought I'd share it.

🎶 Music: Original by me, Saul O’Grady

🎥 Images: Brent, London (late ’80s – early ’90s)

📷 Courtesy of Roy Mehta

Follow for more original grooves from NW London.

Website: https://saulogrady.com/

Instagram: https://www.instagram.com/saulogradyuk/

TikTok: https://www.tiktok.com/@saulogrady

Estilo improvisacional, tocado en un violín con cuerdas de tripa Pirastro Passione y un arco barroco; usé un Fender Studio Pro y Cubase 14 UTILIZACION de microfono dinamico interfaz Lamda Lexicon para el master—agradecería una reseña. ( intro ricochet )

https://youtu.be/Tb6h7rjRAYs?is=EFQ2by736ZBozZ_O

This is kind of the sound I’m going for, especially looking for 80s/90s stuff

As an Egyptian musician, I wanted to share this absolute gem from 1981.

It has some incredible jazz-funk elements, fantastic musicianship, and a groove that feels surprisingly ahead of its time.

The track is by Mohamed Mounir, one of Egypt's most influential musicians, with music by jazz drummer Yehia Khalil.

I think it's a fascinating example of how Western jazz and funk influences blended with Egyptian musical traditions to create something genuinely unique.

Would love to hear what you guys think

I've just recently fell in love with jazz fusion and my favourite band rn is casiopea does anyone have any suggestions for bands