It's just that dono buddho ne haven't made enough tracks together.

I know I'm gonna get downvoted to hell lol

YEDE CAHLLE KRO BHI MAT 🗣️... Abse raftaar bhai kuch nhi bolenge 😭

I start listening to rap in school days and the only reason RAPPER WERE COOL ASF

You can recongnized this mfs in crowds but now every new rapper is looking same

Same curly shit hair where you forehead is cover in curly hair (not sujal, he good boy) and no unquie style..

Ik some artist still got there aura but new gen artist 😢😢😢

Saza E Maut!!

Krsna's verse was mid as hell for me but raftaar's verse saved the song.

Mai rhta hoon apne hi zone mai

Scene ko krdiya jailbreak

Ek hacker jaisa hoon sharp mind

Khada londo ke sath chod mai

Yeh fukte saare krte smoke vmoke

Mai rep krta dekh smoke zone

Yeh shot maare kru caught ball

Highest in the room mai bekhauf

Phoachu mars mai jaise elon

Mai flex nahi krta jcole

Mere hooks heavy nate dogg

Pr fight mai nahi mai jake paul

Yeh krte mujhe kyu hate dawg

Pheli wali huyi nahi move on

Vo khti kr mujhe shoot or

I left her on seen bro

Mei Hu is a melodic drill track from Emiway’s FTSTTS album, and it’s insanely loopable. When it dropped, I remember the general sentiment being that the track was too good to be this short. Let’s get into the breakdown.

[Intro]

“Adam ke zamane se, kya
Ha ha”
The track opens with Emiway suggesting that whatever’s happening right now has been going on since Adam’s time. Whether this is a religious reference or just a hyperbolic way of saying that some things never change is up for interpretation.

[Verse 1]

“Khate me aare sirf million pe million ha leta nahi bhai tera cash
Bharela tax ha facts ha ganit me weak ha accountant sambhale maths”
Emiway’s account is raking in millions, to the point where he doesn’t even accept cash anymore. Emiway has repeatedly joked about being weak at maths and leaving the financial calculations to his accountant. Considering the amount of money involved, probably a sensible arrangement.

“Ha teri baat pauchreli mere tak saath tere khaas nahi paas tere rats (Chuhe log)
Rappers ko khaa raha mai buffet me finish ha restaurant lage ye rags”
He knows what his opps are saying about him, but the people around them aren’t exactly trustworthy. Instead of having loyal friends, they’ve got rats in their circle. He then transitions into eating rappers at a buffet, finishing the restaurant metaphor with what I think is a Ratatouille reference. The rat noises that Emiway makes in the adlibs make the interpretation even more plausible.

“Naachte reh flow mein ye faasle me reh
Raste me bohot saare naste me pasta mile
Phook dala smoke kar ke khasta nahi mai
Mujhse puchrele aage ka rasta ye rasta nahi mai”
Keep dancing to my flow, but maintain your distance. He’s encountered plenty of people along the way but they’re about as substantial as pasta for breakfast. Not exactly a threat. The smoke reference works on two levels. Anyone trying to bring beef to him gets smoked without him even breaking a sweat, suggesting that these rappers are lightwork. Then comes the more interesting bit: people keep asking him for the way forward, but he isn’t their way forward. A jab at those who might want to use his name, connections or success as a stepping stone for their own careers. He’s not interested in entertaining that dynamic.

“Delhi se Mumbai tak baawo ko kar raha connect jaise Rajdhani mai
Rakhta koi vasta nahi mai
Gairo me hasta nahi mai”
He’s connecting people from Delhi to Mumbai like the Rajdhani Express connects the two cities. There’s also a possible callback to Mumbai Se Dilli Tak, his collaboration with Krsna, who was obviously not his opp at the time. The following bars add context to the opening of the verse. He doesn’t maintain relationships with just anybody, nor does he feel comfortable laughing and socialising with people he considers outsiders. He has become selective about who gets access to him.

[Chorus]

“Kyuki mei
Baawe is duniya se nahi hu
Ha chote mai jo bhi hu sahi hu
Jo tu ha soche wo nahi hu
Dost mera abhi bhi mai hi hu (Mai hi hu be)”
And this brings us to the highlight of the track, that beautifully composed, ridiculously loopable melodic chorus. The opening line ties back to his reluctance to associate with people. He doesn’t belong to this world, at least not in the sense that he operates by its expectations. Whatever he is, he’s comfortable being that person. Whatever you think he is, you’re probably wrong. There’s an interesting contradiction here, though. He presents himself as someone who’s misunderstood by everyone else, yet completely certain of his own identity. An enigma to the world, but not to himself. And the last line, “Dost mera abhi bhi mai hi hu”, brings the whole sentiment together. Despite the millions, the connections and the success, he’s still his own closest friend.

[Verse 2]

“Ha hood wala slang har gaana lage ghetto (O bacchi)
Dur se hi bye beta bolte nahi hello”
Despite his success, Emiway still carries the slang and linguistic identity of his hood into his music. His songs still sound ghetto, with the “O bacchi” adlib reinforcing that distinctly Mumbai flavour. The next line continues the idea of distance. He waves at people from afar instead of walking up to them and exchanging pleasantries. Fame hasn’t made him more socially accessible. If anything, it’s done the opposite.

“Author mai khud ke life ka pen kare
Inspire sab ko Paulo Coelho (Author bolte)”
He’s the author of his own life, and his pen inspires people like Paulo Coelho, the author of The Alchemist. It’s a straightforward pen game flex, but I like the way he connects authorship to personal agency. He’s writing his own story rather than letting someone else dictate it, and his writing is influential enough to inspire others.

“Aage chalo, phir meri baari, bambari, lage bar, har baari
Udd gaye rang inke beef me diya mai dhang se choco mazaak nahi jaari”
Move aside, it’s my turn again. Every time his bars land, it’s a bombardment. The people he’s beefed with have lost their colour, a metaphor for being left shaken after facing him. The “choco” line is Emiway’s usual crude way of saying he gave his opps a proper dicking down. And the final “mazaak nahi jaari” makes it clear that from his perspective, this isn’t playful competition. He’s taking the beef seriously, and his opponents should too.

“Kandhe pe zimmedari par na bhaari
Kimat hai ek-ek panna mera bhaari
Dikhata hu aisa khel ye easy hai par
Independent ban na bhaari”
There are responsibilities on his shoulders, but they don’t weigh him down. Every page he writes carries value, another way of asserting that his pen isn’t hollow lyricism for the sake of sounding clever. He might make the game look easy, but being an independent artist in a label dominated industry is anything but. The apparent ease of his success shouldn’t be confused with the difficulty of sustaining it without the machinery and backing that major labels provide. This is also a recurring part of Emiway’s identity as an artist. His independence isn’t just a business arrangement, it’s part of the point he’s making about himself.

“Smoke ke maamle me banda mai pahadi
Mumbai ka chokra koi leta nahi aadi
Throttle hi throttle hai bhai tera Yamaha
Rapper is scene ka two-stroke RD”
When it comes to smoke, or beef in this context, he’s a Pahadi. The reference draws on the association of Pahadis being able to handle weed, essentially framing him as someone who can take the heat. He’s a Mumbai boy who doesn’t back down, and then he closes with the Yamaha comparison. He’s all throttle, all momentum, the two stroke RD of the rap scene.
The Yamaha RD is a cult classic, remembered for its distinctive character and performance. The comparison positions Emiway as a rapper who’s been around long enough to become an institution in his own right, someone with a recognisable identity who continues to stay relevant. It’s a fitting way to close a track built around self definition. He isn’t trying to be the newest thing in the scene. He’s asserting that he already has his own place in it.

Final thoughts

The lyrics have their usual Emiway mix of flexes, humour, street references and independence, but the melodic drill production gives everything a distinctly introspective undertone. The central theme is pretty consistent throughout. He’s successful, he’s surrounded by people who want something from him, and he’s become increasingly unwilling to let strangers into his life. He’s connected to everyone, yet close to very few.

My only real complaint is the runtime. The track is so loopable that it feels like it ends just when you’ve settled into its groove. Maybe that’s part of its charm, but I’d still have taken another verse or an extended outro.

A criminally short track that leaves you wanting more.

Only the second Emiway song to reach this huge milestone ♥️

Can we guys like re create the old orkut forum, I think it was called insignia, where rappers would text rap, text battle, with each other on discord or sum?

KFC for chickens type shi 🤡

I have been listening Emiway for the longest time. Before his beef. I just happen to jump on this song and it kind of hit me big time.

The lines hit me so hard.

Especially this part. When you literally fall every time, even after giving your 200%. It sucks. I have now listened this song a few times in last 30 minutes and every time this segment comes, the tears roll like crazy.

Such relatable lines.......

Im 18M and a nobody in a college named fgiet raebareli and wanna get popular a lil ...There's a diwali party on 2 nov so I need banger songs suggestions which can sound super cool and flowy (from dhh and global) u can add og songs too btw im a die hard seedhe maut fan and please suggest English track also

"Meri boli ni padti hai laundo k palle, shaitaani ye bhaasha kanashi

Bana ye gala vinaashi jab bhole ki bhakti mei kara talaashi fir kala taraashi

Bas thode sukoon ki mujhe talaash thi

Par inn danton ko khoon ki pyaas thi

Pratishodh ki aag se jala badan to fir seekha kya, zindagi khaakh thi "

How does vichaar make his performances look so damn effortless, gaana start se end tak ekdum hi hook karke rakhta hai. Easily one of the best pens in the scene rn

What do u think?

Any single female who wants a partner to go horrorcon for seedhe maut send a DM will ya ?

My S tier emiway Song. Really liked the flow in the second verse. Also I'm running out of ideas so you can suggest some songs.

Itni consistency ke sath itne badhiya projects drop karna, unreal bhai.

Bas political leaning ki wajah se itni hate milti hai panther ko, warna projects to saare top quality ke hai🤌🏻

I want to print this as an A2 size poster. This is still a rough draft, I am seeking feedback on changes and improvements on this. Flexible on most changes other than album art. But I can limit the number of album art to just the albums and mixtapes instead of singles. TIA

Imagine krsna collaborating with anshious , sujal , prathamesh , parv , kai(Personal bias) , siyahi , vichaar . Tbh i would love to see him go toe to toe with these people rather than him collaborating with industry giants 'cus quite frankly i don't want the next raftaar x $ track as much as i want a $ x sujal or a $ x anshious track . Because imagine the flows , imagine the bars when he'll collab with these people . That album will have the potential to literally convert people from his haters to his fans . It'll contribute much more in his legacy than a mainstream kind of album . And i really hope we get to see that

Kya kya karna padta hai legacy ko promote karne ke liye 💔💔

Why this friendship works ?

People say that krsna doesn't drop enough ( they are right 😭 ) but jo cla$$ic krsna track dala hai woh toh koi sunn nahi raha. KKBN got the flows, bars, hook and punches but sirf 3 mill streams. Kaash knock knock ki jagah KKBN blow up hota. It's beyond me ki kaise yeh gaana rehe Gaya💔💔