Miami Vice doesn't really conjure up images of autumn, but which episodes are the most Halloween-y to you?

Off the top of my head: Little Miss Dangerous, Shadow in the Dark, Death and the Lady

Okay, there are a lot more the more I think of it, but I'll let others comment.

Speeding and chasing another car are not cool things to do.............unless of course you look like these guys, drive cars like the two cars and do it all to a glorious backdrop.

Bonjour à tous, si certains d'entre vous souhaitent découvrir Miami Vice avant la sortie GTA VI pour s'imprégner de l'ambiance, je vous fais gagner quelques minutes de recherche pour savoir où regarder la série. A noter que MV se déroule dans les années 80 alors que le nouveau jeu de Rockstar est dans notre présent (2020-).
Voici les 2 méthodes :
- payante : avoir un abonnement Amazon Prime Video et mettre un vpn au Canada, vous aurez accès aux 4 premières saisons (5 en tout) en anglais, sous-titré anglais.
- gratuite : acceder à lookmovie2.to avec un vpn aux US ou au Canada, il vous manquera quelques épisodes.

In this episode Gina sings in a jazz nightclub. Does anyone know if it’s her singing or someone else.

Maybe its because I've watched Lanterns & then went back to rewatch Friday Night Lights. However, I think he would have been one of the few actors that could have pulled off 80s Sonny. He would be my pick now for the Kosinski movie if he was in his 40s.

I think Colin Farrell fit perfectly for the 2006 version. That deal with the present and Im not sure Kyle would have been as good as Colin in that role at that time. However, that is one actor that could pull off 80s Sonny imo.

When I first watched the ending of "Definitely Miami," I was blown away, and I wanted to try and articulate what made it so impactful for me.

1. First, the music of course. Godley & Creme's "Cry" has a sound that is just so haunting, ethereal, and nostalgic somehow. The reverb-y guitar chords and melody some how just feel and sound like the ocean to me. Or rather, they sound like a hazy memory of an ocean. They have this watery quality to them. Maybe some of it is association - the reverb-y quality of the instruments weirdly reminded me of "Dire Dire Docks" from Mario 64, which also conjures up watery imagery. But the song's lyrics are also clearly about a relationship that didn't work out, which fits so perfectly with Crockett discovering the woman he was falling in love with was just conning him the whole time and didn't actually care about him.
2. Next, the emotion. There's the moment where Castillo is glaring at the federal agent, and you can tell he's smouldering underneath but all he can do is stare. And then, of course, there's Sonny. Even with him just standing there, you can tell there are hundreds of emotions firing in his head. He's got this brooding, distant stare while Callie is still trying to con him, and he's kind of just ignoring her. Then the police show up, and he just puts the shades on, as though trying to mask his emotions or swallow them, like he's trying to remain stoic despite feeling heartbroken. And when he turns around and starts strutting to the beat of the song, it's just perfection. He's walking away from this situation, brooding on it, while walking in a way that's kind of reminiscent of an 80's power strut. It's the contrast between the melancholy of the situation, and the cool and collected nature of Sonny.
3. Finally, the visuals. All of the emotion of the scene, the bittersweet feelings, the melancholy, the anger, etc., are combined with the most idyllic beach scenes. Also some of the shots are so artfully composed, they're like a painting. So you've got the most colorful turquoise waters, blue skies, tan beaches, and crisp white linen seem so cheerful and bright and beautiful, but it's displayed amidst all this tragedy of death, heartbreak, disappointment, anger, loss, etc. The combination of the bright, sunny exteriors and the brooding emotions is such a perfect encapsulation of that "pastel noire" vibe of Miami Vice.

The ending just perfectly captures the feeling of the show - this nostalgic, bittersweet, colorful, bright, brooding, tropical pastel landscape. It is definitely Miami Vice.

Curious what others think, if they agree, or if the episode/ending scene had an impact on them for different reasons

Wonderful scene, awesome music by Godley and Creme (ex 10cc) Crockett kills psychopath Charlie Basset at a desert quarry. The scene fades to a beach where Crockett meets Callie. Revealing he is a cop, he arrests her. Callie immediately begins flirting with her arresting officer, leaving Crockett staring at the ocean

It's always this scene where he finds the crooked cops that set up Angelina and got his son kidnapped. I'm praying MBJ can just bring half of this kind of intensity to the big screen.

https://www.youtube.com/watch?v=DHTYdyg3GoY

Lots of people have covered Crockett's Theme but rare other tracks...I thought this was EXCELLENT

They could use old tracks, or ask him for new compositions, even if he is older now. I think that project would be pointless if Jan is not involved, like Brad Fiedel 's absense in Terminator lame sequels or Faltermeyer for Beverly Hills Cop 3, Jan's score is too important.

Someone who's clearly not a fan of the show mistakenly said he didn't like the casting of MBJ for Tubbs because "Tubbs is 1/2 Latino". Literally made my BP rise, at work today. So I had to look it up, just know know I wasn't tripping back during the 80s.

No, Detective Ricardo "Rico" Tubbs from Miami Vice is not Latino; he is an African-American character, and his actor, Philip Michael Thomas, is African-American (with German, Irish, and Native American ancestry). [1, 2, 3]

• The Character: Ricardo Tubbs was born in Queens, New York, to African-American parents (George and Lilly Tubbs). He explicitly identifies as a black cop in the series.